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Showing posts with label Gulshan Grover. Show all posts
Showing posts with label Gulshan Grover. Show all posts

Saturday, December 6, 2008

terii mayyat par zyaadaa bheeD naheeN lagegee

Film : Woodstock Villa

Year of release : 2008

Spoken by : Kaleem Bhai (Gulshan Grover)
Spoken to : Sameer (Sikandar Kher)

Kaleem Bhai has lent some money to Sameer. Since Sameer is behindhand on the payment, he comes and bashes him up regularly to serve as a payment due reminder. In one such instance, he says

"terii mayyat par zyaadaa bheeD naheeN lagegee...kyoNkii mardoN se too pehchaan banaataa naheeN hai aur auratoN ko shamshaan meN aane kee manaa hai"

"तेरी मय्यत पर ज़्यादा भीड़ नहीं लगेगी, क्योंकि मर्दों से तू पहचान बनाता नहीं है और औरतों को शमशान में आने की मना है"

It is quite surprising that inspite of the society having progressed so (women can go into space and onto moon); they still don't go to the graveyard.

Sunday, November 30, 2008

Yeh laDkiyaaN shamshaan tak aa naheeN saktee, lekin pahunchaa zaroor sakteeN haiN

Film : Woodstock Villa
Year of release : 2008
Spoken by : Kaleem Bhai (Gulshan Grover)
Spoken to : Sameer (Sikander Kher)

Gulshan Grover here playing another interesting character called Kaleem Bhai. He is a don who is owed money by the hero Sameer. Sameer is of course a philanderer and takes a needlessly healthy interest in women. On one such collection call, Kaleem Bhai leaves Sameer with a warning.
"jaate jaate kaleem bhaai kee naseehat sun le. ye laDkiyaan shamshaan tak aa naheeN saktee lekin pahunchaa zaroor sakteeN haiN"
"जाते जाते कलीम भाई की नसीहत सुन ले. ये लड़कियाँ शम्शान तक आ नहीं सकती, लेकिन पहुँचा ज़रूर सकतीं हैं"

Tuesday, July 8, 2008

You are what you hide

Film : Dhokha

Year of release : 2007

Spoken by : Raj Mehra (Gulshan Grover)

Spoken to : Zaid Ahmad Khan (Muzammil Ibrahim)

Johari windows is a concept which has always enchanted me. It basically divides aspects of his personality into four windows or quadrants.

The first quadrant contains aspects which are known to self and known to others as well. Rightly this quadrant is called ‘Arena’. The second quadrant contains which are not known to others but are known to self. This quadrant is called ‘Façade’. The third quadrant has areas which are known to others but not known to self. This quadrant is called ‘Blind Spot’. And the most important quadrant is the fourth quadrant which has aspects not known to self or to others. This quadrant or window is called ‘Unknown’.

The movie Dhokha is about a Muslim police officer who is happily married to a woman who turns out to be a terrorist. Initially he absolutely refuses to believe the Anti-Terrorist Squad’s theory. As evidence unfolds, he grudgingly starts seeing the truth. But in one such moment where he is struggling between belief and incredulity, he screams that Sara (Tulip Joshi) was so happy with him. Raj Mehra responds with

Officer, insaan jo dikhaataa hai, vo uskaa sach nahee hotaa …uskaa sach wo hotaa hai jo vo chhupaataa hai – you are what you hide!

ऑफ़िसर इंसान जो दिखाता है, वो उसका सच नहीं होता...उसका सच वो होता है जो वो छुपाता है – You are what you hide!

This is Mahesh Bhatt’s reference to the ‘Façade’ window of the Johari windows. Think about it. What is your truth? What is it that you hide?