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Showing posts with label Man ka Meet. Show all posts
Showing posts with label Man ka Meet. Show all posts

Tuesday, October 20, 2009

ghar ka na khaaye aur duniyaa mauj uRaaye

Film : Man ka Meet

Year of release : 1968

Spoken by : Pran (Vinod Khanna)

Spoken to : Lala ji (Om Prakash)

This was Vinod Khanna's debut film. Otherwise a very boring film. Interestingly he plays a villain in this film and his screen name is Pran. Towards the climax, Pran's villainy is revealed and Lalaji, who hitherto thought of him as loyal relative, is shocked to see the real Pran. He asks Pran why he is threatening his daughter Aarti (Leena Chandavarkar). Pran says that Lalaji is distributing all his wealth to the poor and it is unlikely that he (who has been a loyal aide and colleague) will be left with anything. As he puts it

"ghar ka na khaaye aur duniyaa mauj uRaaye"

"घर का ना खाये और दुनिया मौज उड़ाये"

Sunday, July 5, 2009

jawaan laDkee bhee jaaydaad kee tarah hotee hai...donoN kaa ek ek rakhwaalaa honaa chaahiye

Film: Man ka Meet
Year of release : 1968
Spoken by : Lala ji (Om Prakash)
Spoken to : Aarti (Leena Chandavarkar)

The claim to fame of this film is that this was the debut film of two people - one was Som Datt (Sunil Dutt's brother as hero, who was never heard of again) and Vinod Khanna (as villain and who later became a hero and then a sanyasi and then an MP).

Vinod Khanna really started looking his macho self from movies like Achanak. So here, he reminds you of Dharmendra in Dil Bhi Tera Hum Bhi Tere. In fact there is a dialogue in the film where the heroine Aarti (Leena Chandavarkar) tells him that he should not try to be a hero because he has a face more suited to being a villain.
Coming back to the dialogue, the 60s and 70s had a lot of these sexist dialogues, which seemed quite acceptable in that era. Today, I feel most people would take umbrage at such lines. But I am a sucker for metaphors and analogies and proverbs and what have you. This seemed to fit at least one of the above bills and hence I am featuring this line here.

Lala ji (Om Prakash), is a rich man and is the guardian of Aarti. He is worried about her marriage, whereas Aarti mouths the typical dialogue of that era - 'mujhe shaadi naheeN karnee' or ' abhii itnee jaldee kyaa hai'. And when Lala Ji tries to get her to consider marriage, he says

"jawaan laDkee bhee jaaydaad kee tarah hotee hai beTii...donoN kaa ek ek rakhwaalaa honaa zaroori hai"
"जवान लड़की भी जायदाद की तरह होती है बेटी...दोनों का एक एक रखवाला होना ज़रूरी है"